Saturday, April 29, 2017

“Primitive Garage Gallery – Day One” by Richard F. Yates



I’ve been thinking about turning our covered carport, which we don’t park in, into a “gallery” space for quite a while. In fact, I put three pieces up about a year ago and left them out to see if they would survive the somewhat DAMP weather we have here in southern Washington State. (They looked fine to me---maybe a bit “aged,” but not much more than any of the pieces that we have stored IN the garage.) So today was the day. Time to get started…

First Project---And then there was…



Every new SPACE needs a Blood Sacrifice to set it off in the proper direction. Thanks to a particularly stabby bit of debris, we got that part out of the way quickly.


Got some tools, a bunch of artwork to choose from, a bunch of hanging hooks, some tunes, and a water bottle. Ready to rock.




This window looks like it will need some SPECIAL ATTENTION at a later date!


Twisted a hook into a 2x4 to hang my mini-speaker from. The speaker is fed a steady stream of tunes via ELECTRONIC MAGIC from the miniature jukebox in my pocket.


I’ll probably put some stuffed animals into these hanging planters… You know---BECAUSE…


These are a few of the pieces that used to hang in a gallery in Olympia, Washington. (These are, obviously, some of the pieces that DIDN’T sell! Believe it or not, several DID!)



So far, this piece has been my only attempt at TEXTILE ART…


Eleven ARTS (in “Dollar Store” frames!) hung in the section by the corner---plus the five around the door and the one latch-hook monster = SEVENTEEN pieces up and ready for viewing!



It’s never a good idea to work TOO hard, so I’m calling it a day. Not a bad start, in my opinion… Any of you humans have any thoughts or suggestions??? Let me know in the comments! Thanks!


---Richard F. Yates

Thursday, April 27, 2017

"Read a Damn Book!" by Richard F. Yates

Hey humans! Don’t forget, we’re still producing some quality reviews over at the READ A DAMN BOOK site! As of today (27 Apr. 2017), we’ve got 26 reviews up and ready for your perusal! Click on the links below and find your way to ADVENTURE!


#26 – Unsolved Mysteries (by Joel Levy)
#25 – Duchamp (by Janis Mink)
#24 – Krazy Kids’ Food! (by Steve Roden & Dan Goodsell)
#23 – Please Kill Me: The Uncensored Oral History of Punk (by Legs McNeil & Gillian McCain)
#22 – The Far Side (by Gary Larson)
#21 – The Woman in White (by Wilkie Collins)
#20 – Madman Volume 1 (by Mike Allred)
#19 – Fantastic Beasts & Where to Find Them (by J.K. Rowling)
#18 – We Must Remain Focused When Waiting for Thunder (by Jesse Reno)
#17 – Spy vs Spy: Casebook of Craziness (by Antonio Prohias)
#16 – Howl and Other Poems (by Allen Ginsberg)
#15 – Martian-American War (by Daniel T. Foster & Michael J. King)
#14 – Krazy & Ignatz (by George Herriman)
#13 – Getting Even (by Woody Allen)
#12 – All This and Snoopy, Too (by Charles M. Schulz)
#11 – The Crying of Lot 49 (by Thomas Pynchon)
#10 – Snake ‘n’ Bacon’s Cartoon Cabaret (by Michael Kupperman)
#9 – The Willows (by Algernon Blackwood)
#8 – The Amazing Spider-Man: Hooky (by Susan K. Putney & Berni Wrightson)
#7 – Doctor No (by Ian Fleming)
#6 – Dead Until Dark (by Charlaine Harris)
#5 – The Atomics: Spaced Out & Grounded in Snap City! (by Allred, Bone, Clugston-Major, Marvit, and Ontiveros)
#4 – The Gashlycrumb Tinies (by Edward Gorey)
#3 – This Ain’t No Disco: New Wave Album Covers (by Jennifer McKnight-Trontz)
#2 – Dada: The Revolt of Art (by Marc Dachy)
#1 – Scientific Progress Goes ‘Boink’ (by Bill Watterson)

---Richard F. Yates

Sunday, April 23, 2017

“Litigious Street” by Richard O’Brien & Richard F. Yates


Sunny day,
filing the torts away,
on my way to where the lawyers meet,
can you tell me how to get,
how to get to Litigious Street?

Drawing a big, yellow birdy,
Jim Henson’s intellectual prop-er-ty.
The Count will count your money, man,
can you tell me how grouchy you’ll be,
how grouchy you’ll be living in a garbage can?

You’ve got some gall,
I mean, Snuffleupagus-sized balls,
wow, you’re in such a mess,
can you tell me where to send,
where to send the lawsuit from PBS?
Today’s letter is “S” – “S” is for “Subpoena” – you’ve been served.
—O’Brien & Yates
[Words by Richard O’Brien. Image by Richard F. Yates.]

"Slow-Bot" by Richard F. Yates


(Apr. 2017) - Ink on paper with digital enhancements.

---Richard F. Yates

“Dear Diary (1 Apr. 2014)” by Richard F. Yates

[What I am about to describe may seem implausible to some of you, but I assure you that every word is completely true and that, in fact, events similar to those recounted below occur so frequently in my life that I am rarely shocked by them anymore. However, it has been brought to my attention by several coworkers of mine that some people may find these types of stories remarkable. If this humdrum humbug is your type of thing, enjoy! —Richard F. Yates]

Currently sitting in the parking-lot at Mariah’s work, half-watching a bank heist in progress in the next building over. Tedious, though the noise from the gunfire can be a bit distracting.

Woke up this A.M. at 7:30 (Pacific Time), having slept-in two and a half hours longer than usual.

Though we have two readily available bathrooms (a third is only accessible through the master bedroom where Brother Dave was sleeping) both facilities were occupied. I decided to challenge Mariah for the upstairs bathroom, and after a brutal fist-fight, I sat on the floor outside the bathroom door holding a hand towel to my bloodied nose until Mariah was finished brushing her teeth—then I was allowed to relieve myself. (I am no longer allowed to “do my business” in the backyard, since those photos were published last year in the Midnight Star tabloid paper.)


Next, I checked my phone messages, my Faceboot messages, my email, my blog page stats, and my inter-dimensional telepathic e-message collection crystals to see who’d tried to contact me in the night. (Nobody.) (For a person who claims to hate technology, I have certainly allowed it to creep into my daily routine.)

I was then informed (before I’d had time to eat or shower or brush my teeth or prepare myself for immersion into society) that it was time to transport my family to their daily destinations. Because of a mudslide on Columbia Heights (not as bad as the horrible, fatal landslide in Oso, Washington, which I believe is on the other side of the Cascade Mountains from where we live) the main road that we usually drive to get to and from town has been closed for more than week. Subsequently, we had to take a back-road to get to “Downtown” Longview, and Mariah ended up being a few minutes late to work. (I will be punished for this, later.)

Ellie, who is on Spring Break this week and would normally spend most of the day in bed, is job-shadowing her older sister, Frankie, at the vet clinic today. Frank loves her job, and Ellie is considering going into veterinary medicine as a career field, so we thought it would be good for Elvis to see what it’s REALLY like. (I get sick to my stomach whenever Frankie talks shop, but Ellie thinks she can handle it.) So I dropped her off at the vet clinic for the day, and then needed to kill a little bit of time.

I had some items to take to the post office: a hand-painted postcard and an envelope stuffed full of stories, drawings, and a copy of my new mini-zine, Particle Acceleration (which I still need to scan and post), but the post office wasn’t open yet—so I decided to drive to Grandma Lucy and Uncle Randy’s house to say, “Hi!”

As I parked and stepped out of the car, I was greeted by the smell of putrefaction, and noticed a small animal carcass in the road with a hazy, blue-white squirrel ghost floating above it. Poor thing. Squirrels and roads don’t mix.

I headed toward the house, after giving the ghost a handful of change from the car ashtray, to visit with the fam for a bit. I updated them on Ellie’s recent bowling adventures, talked about all the places we’ll be going in the next few weeks (Seattle; Bend, Oregon; Portland; Tacoma; Yakima, Washington; Lakewood, California…) and then “shot the breeze” for a bit. Grandma said she’s still reading mystery novels, and Randy’s been working on a new story (which I’m excited for! We haven’t had a new Randy Long tale to publish in quite a while—since the ultra-violent, mutant squirrel massacre piece, I think, back in January???)

Anyway, we visited for a bit, until I got a message on my phone from Mariah:

“(9:19 A.M.) Are you still in town? Are you bringing me coffee?”

I have learned not to disobey the Boss, so after calling to confirm her order, I got up to leave, but as I did, the dog, Squeekers, stood up on its back legs and in a whiny voice said, “Oh no! Don’t leave,” then she grabbed one of her doggy-treats with her mouth and threw it at my feet. I suppose this was a sort of bribe to get me to stay. Then Randy, Grandma, and the dog all started to howl. I smiled politely and waved, then stepped to the door and slipped outside.

Once out on the patio, I instantly realized I was surrounded by dozens of scuttling squirrels—in the trees, in the rafters of the porch covering, a pair out on the carport stealing tools from a big red set of drawers, several crawling up and down the walls of the house like spiders, and one big squirrel, with a milky-white left eye, in the middle of the lawn picking his fingernails with a pocket-knife. (This was probably Dilly the Evil Squirrel. If the squirrel squished in the road was Billy the Good Squirrel, then Dilly probably took the opportunity to seize control of the neighborhood. Maybe Billy’s “accident” wasn’t quite so accidental after all!)

I looked back at Grandma and Randy’s house and saw them, and the dog, starring wide-eyed out the window, although they all quickly turned away and pretended to be watching a t.v. game show when they saw me turn around. I looked back at the squirrel in the lawn and found that he had finished cleaning his nails and was now holding the knife in a less-than-pleasant manner and advancing, slowly and menacingly, toward me.

Being well schooled in squirrel psychology, I played my trump card: I pointed at a spot a ways behind the squirrel’s head and yelled in a terrified voice, “What’s that!?” As the squirrel whirled around to look, I bolted for my car and drove off.

I drove down Louisiana Street and saw swarms of little men parachuting from the branches of all the cherry trees, with little black eyes and snarling teeth. (I’ve never seen cherry trees that look like this outside of Longview.)

At Nichols Blvd., I turned left and drove alongside Lake Sacajawea towards Ocean Beach Highway. In the last year, there have been two dead bodies found in the lake (which is in no sense a laughing matter. These men had lives and families who are now suffering extreme loss.) Mariah and I suspect, although nobody else seems to be talking about this, that there is a Lake Monster in Lake Sacajawea that is luring people to the edge of the water at night and dragging them under. There is also a strong possibility that the monster is, in fact, a Lake God, who controls the city and demands the occasional sacrifice. This would explain why the Lake Monster Theory is being hushed up—it goes all the way to the top! (If I’m never heard from again after this is published, you’ll all know why!) Of course, it’s possible that it is just a normal lake monster, not a deity, and that the city just isn’t spreading it around because the local economy relies so much on the lake for tourist dollars. (They hold several festivals, concerts, parades, art walks, and such at the lake, and they’ll be DAMNED if they’re going to let a little thing like a killer lake monster get in the way of that cash!) As I turned onto Ocean Beach Highway and headed towards the Triangle Mall, I thought I saw in my rear-view mirror a green skinned humanoid, with huge, black eyes and rows of sharp, yellow teeth, poke its head up out of the waters of the lake, wink at me, and then dive back under.

As I neared the mall, I saw a dog, possibly an Australian shepherd mix, walking across the highway in the crosswalk. It stopped on the corner, and as I slowed to turn, it raised a thumb, giving the classic “hitch-hiker” signal (I don’t know where it got the thumb), but I ignored it and kept driving. (I never pick up stray dogs.)

I continued on to Star-Bops Coffee Shop, purchased Mariah’s drink (and one for me) then drove to her work. When I arrived, Mariah was in a wrestling match with a nine-foot-tall man with a bull’s head and gold-plated horns, so I left her drink at the desk. One of the girls said she would make sure Mariah got the coffee when she was finished dealing with that particular client, so I left without saying anything. (Her eye clinic is always busy like that.)

Then I went to the bank to take out our rent money. The last time I checked, we had $160 million in checking, but after I took out the rent there was only about $300 bucks left. We must have had some checks out that I didn’t know about.

After that, I went to the post office, which is on top of a 68 thousand foot tall tree-house. And the elevator was broken. Up I went, paid for two stamps, then down I went.

About then, I decided (because it was more than an hour until Mariah’s lunch time) that I would go get a coffee for Grandma Lucy and take it to her—which I did. (A white chocolate mocha.) As I neared her house again, I spotted a police car parked a few doors down with its lights on. A man in a pink and white mu-mu and curlers in his hair was talking to a policeman while a female officer was stuffing a handcuffed squirrel with one white eye into the back of a patrol car. I smiled quietly to myself as I parked and delivered Grandma her coffee, then I headed back towards the mall (avoiding the lake this time.)

And now I’m sitting at Mariah’s work, listening to a CD I made—songs by The Cure, The Clash, Sugar Boom, Pixies, Depeche Mode…a bunch of great stuff… Ohp! Here comes the Boss! Now we’re off to reserve a rental car for our impending trip to the bowling tournament in California this June! Tre exciting! Jah!!!

—Richard F. Yates

[Originally published April Fool’s Day, 2014, at The Primitive Entertainment Workshop.]

“Jean-Michel Basquiat Makeup?” by Richard F. Yates

Yesterday, my older daughter, Frankie, sent me this photo from a shopping trip:



Apparently, there is now a Jean-Michel Basquiat line of makeup…

I’m not sure how I feel about this. For one thing, I think the advertising and packaging for the products look pretty cool, and I appreciate the fact that everyday consumers who are not Art-Savvy will now be able to see Basquiat inspired images whenever they visit a cosmetics store. However, I do have some reservations:

1. Does using Basquiat’s crown icon to sell cosmetics (or any daily-use product) somehow cheapen or devalue or demystify the original artist's work? (Or, on the contrary, does it promote his visual style and iconography?)

2. Did Basquiat ever have intentions of designing a line of cosmetics? (Does it MATTER whether the artist INTENDED for his art to be used in this way? There is an argument that an artist creates his/her work and then sets it free---what the culture does with it after RELEASE is no longer the artist’s concern.)

3. WHO GETS THE MONEY? As far as I know, Basquiat never had any children who might benefit from the royalties of such a line of products, so who owns the RIGHTS to the imagery? This is a question that sort of haunts / consumes me. It’s like all of those images of Calvin (from Bill Watterson’s Calvin & Hobbes comic strip) pissing on various brand logos or praying… Is the USE of an artist’s images and icons, without their permission, inevitable? (Especially once the artist is no longer with us to GIVE permission or lodge a complaint.)

So there it is: Jean-Michel can now LITERALLY be the FOUNDATION of your day… Is this a good thing?

---Richard F. Yates

[Photo by Frankie Yates.]

Saturday, April 22, 2017

“The Floating Cow” by Dr. Ugg (The Educated Caveman)

The cow floated approximately six feet off the ground, chewing absently and apparently unconcerned as it progressed down Henson Street.

“Damn it, Bessie! Get your ass back to the barn,” Jed yelled, then spit a gooey mass of brown liquid into the gutter.

The cow rolled its huge eyes toward the farmer, gave a low mewling grunt, then continued floating toward the edge of town.

Three weeks later, Jed received a postcard of the world’s largest ball of twine that was signed, cryptically, with the word:

“Moo.”

---Dr. Ugg (The Educated Caveman)

["Dr. Ugg (The Educated Caveman)" is, of course, one of my many pseudonyms. I love making up fake names. This story was originally published 15 Oct. 2012 at The Very Very Very Short Stories blog. ---RFY]

"Sssss..." by Richard F. Yates


(Apr. 2017) - Ink on paper with digital modification.

"Grape Minds Think Alike" by Richard F. Yates


(Jun. 2016) - Digital drawing.

"It Could Be Sunshine" by Richard F. Yates


(2013) - Acrylic on canvas with black light elements. Rediscovered this afternoon in a box buried in a closet!

---Richard F. Yates

Saturday, April 15, 2017

“5-3-8-15-5-19 (Esoteric Blood Vessels)” by Richard F. Yates

Be sure to drink your…


“Thought Form 0001”

When I was a little kid (5 or 6 years old---not sure what that would be in metric years) I wrote the word “blud” (I didn’t know how to spell “blood”) inside one of my dresser drawers in red felt pen. I believed that words had power (even misspelled words), and I thought that, because I’d written that spooky word in my drawer, anyone who went digging through my stuff would SEE the word, get scared, and leave my stuff alone---you know, not steal my brown corduroys. Technically, it worked. No one stole them, and I wore those pants until my mom got sick of them and threw them away. (Mom was immune to my WORD MAGIC.)

14-15-20-8-9-14-7-14-5-19-19

Sugar coated meaninglessness. (Candy flossing.)


“Thought Form 0002”

My couch can take me anywhere that I want to go. (Like that bed in that Diznee movie about witches and substitutiary locomotion, only there ain’t no Nazis in my story.) Guts go on the inside, and science leaves the best aftertaste (like anti-freeze.) Gravity---more than being poor, more than illness, more than DEATH ITSELF---Gravity is my ultimate enemy.

Hickle-dee dickle-dee doo dah day!


“Thought Form 0003”

DON’T—STOP      4-15-14’20—19-20-15-16


“Thought Form 0004”


We can’t relax

A few days ago, Mariah and I stopped to get coffee on the way to work, and the window lady said, “How are you today?” And I answered, “We are well,” and then Mariah hit me in the arm. After we received our drinks and pulled away from the window, I laughed and said, “What was that for?” Mariah says, “I’m use to your robot voice, but normal people aren’t.” And I was genuinely surprised. I didn’t know I HAD a robot voice…

1-16-5—13-5-14


“Thought Form 0005”

Stupid silly pointless unprofessional fragmentary and crude… My kinda work! (Actually, it IS my work.) There’s this conspiracy going around (the lights just flickered) that I’m trying to go legit. Tryin’ to become a COMMERCIAL artist… Ha! That’s rich… (I, however, am not.)

Flipper was always in over his head.


“Thought Form 0006”


I’ve spent a long time (several days---a GREAT amount of time, in my creative world) working on this post. It begs the question, WHY LABOR OVER SOMETHING SO ULTIMATELY TRIVIAL? But all things are, ultimately, trivial. However, for the brief moments that I spent making this stuff---writing funny words and drawing funny little shapes and ENCODING silly little slogans---I was living and enjoying being alive. For THESE MOMENTS, it was worthwhile.

---Richard F. Yates

Thursday, April 13, 2017

“Extrospection (What Kind of Art Guy am I?)” by Richard F. Yates

[Warning*** Whiskey content…]

For the last four years (give or take some off-planet experiences) I've run The Primitive Entertainment Workshop, and I've posted (on average) 3 or 4 posts per day since early 2013. (Sometimes I skip a day or two, sometimes I go crazy and post 20 or 30 things in one day...) The P.E.W. includes drawings, sketches, abstract art, cartoons, digitally manipulated photos, flash fiction, gloomy-slow fiction, poetry, political commentaries, diary entries, quips, non-jokes, art theory, fake news, book reviews, travel posts, guest contributions, rants, homemade religions, satire, serialized stories, mini-dramas, manifestos, postal art, zines, requests for money, LOTS of nonsense, and even some opportunities to purchase SWAG… We’ve produced four books, created stickers and t-shirts based on artwork first published here, and linked to several sites (Zizzle / Redboodle / D.V. Ant Art / Faceboot…) where humans can buy junk with Primitive Artwork plastered all over it---and I’ve produced the majority of this STUFF myself (although I certainly do have a cadre of interesting contributors, to whom I am ETERNALLY grateful.*) [*”eternally” is not a legally binding phrase…] AND, we are fast approaching the 5,000th post.

Sheeeeeit…

That’s a lot of nonsense…

Anyway, I’ve begun to wonder: What Kind of ART GUY am I??? (I made a short video asking that very question…)



Does it matter? Is it important to specialize? Should I be CONCERNED that I don’t have an official title or definition?

I mean, I’ve been drawing and writing and making up stupid songs and poems since I was old enough to hold a crayon… I will undoubtedly keep doing those things until I die (and perhaps for a few more years after that---I haven’t decided for sure.) It’s a compulsion, a NEED. I’m happiest when I’m writing or drawings or painting or eating sugar or making up nonsense songs... I LOVE the nonsense, because I think it BEST relays how I feel about the world. You can laugh or you can cry---or you can draw a snake with a halo above his head and say that he’s worried that his accountant might be an alien…who isn’t very good at doing taxes… I, of course, go with the third option.

Definitions are nice though, especially when people ask you questions like, “So what do you do?” I usually say, “I’m a writer!” or “I’m an artist!” depending on how I feel and whether or not I like the person I’m talking to. (Sometimes I lie, and say things like, “I’m a hypnotist!” or “I can’t tell you---it’s classified…” For about three years, I had my wife convinced that I was a Cult Leader---that’s how I won her heart. From there, it’s just been the hypnosis and help from my government contacts that have KEPT her with me, at least since my cult all committed suicide… But I’ve digressed.)

So I’m thinking about making the leap to Patreon. It doesn’t hurt anything to try it (economically speaking), and I have this idea about running it like a Secret Society or an old-fashioned fan club, with Certificates of Membership, and I.D. cards, and a regular (actually mailed to you) newsletter, and fancy “members only” t-shirts, and secret handshakes, and funny little cars that we drive in parades, and covert meetings where we discuss our plans to take over the world (for the “higher paying” patrons, of course…) Maybe something like the Church of the Subgenius meets the Mickey Mouse Club. That sounds like fun, doesn’t it??? The real point of the Patreon element would be to help pay for online expenses (I’m a little more than 75 percent of the way through my WeirdPress free media allotment, which means we aren’t too far from either having to pay for more space or start dropping old stuff off the site---the latter being a REPELENT concept, in my opinion.) Plus, we could do stuff like print more books and artwork and make new t-shirts and stickers, and I’ve always harbored the desire to have a big ART SHOW, like rent the expo-center here in town and have a bunch of framed artwork and tables where contributors were signing books and giving talks, maybe even have a bunch of KIDS draw stuff and bring it in, and then have a panel of judges award prizes to kids in various age groups---you know, to help encourage the YOUTH to stay creative and make things themselves… I’ve got some ideas...

Anyway, what do you people think?  Is it worth going the Patreon route? Do you peeps like the idea of becoming OFFICIAL MEMBERS OF THE PRIMITIVE PANORAMA and getting a bunch of fun stuff mailed directly to your door? Seems like good times to me.

---Richard F. Yates, Hypnotist in Chief of the P.E.W.

Sunday, April 9, 2017

“Secret Cat War” by Richard F. Yates

There was a Cat War going on---a SECRET Cat War. A Cat War so secret that not even the cats who were directly involved knew anything about it. It was an awful war---and very confusing---and it ended when all the cats got bored and went to watch birds flying around outside the window.

THE END???

---Richard F. Yates

Sunday, April 2, 2017

“Interview with Richard F. Yates” by Spork Ryyder

[WARNING! This is a fake interview that I did with myself back in February of 2014 and published on The Primitive Entertainment Workshop blog! It was written for educational purposes, and I still think it's pretty funny and relatively accurate! ---Richard]

---This interview was originally published in the January 2014 issue of Spork Ryyder’s Poppengluup art journal. Thanks to Ryyder for permission to reprint the interview here!---

Richard F. Yates is an American artist, writer, poet, and editor whose most recent project is The Primitive Entertainment Workshop, a blog that combines art and literature, humor and horror, and which has garnered international attention for its belligerent attitude and quirky sense of humor. This interview was conducted by phone with Richard from his home in Washington State in the U.S.

Spork Ryyder: Thank you for taking my call, Mr. Yates. Let me start with a standard Poppengluup question. What were your major childhood traumas?


Richard Yates: My childhood…oh boy. The earliest that I can remember are getting run over by a car, my dog, Bongo, getting hit by a car, my dog, Shasta, being run over right in front of my eyes, and my mom dying in a car wreck when I was fourteen.

Ryyder: My god! So you’re not a big fan of cars, I take it?

Yates: Not a fan.

Ryyder: That’s understandable!

Yates: And then there were the minor tragedies that probably seemed major at the time—moving around a lot, my parents getting divorced, my mom remarrying and then getting divorced again. Stuff like that. Heartbreaking when you’re a kid, but now, as a grouchy old man, they seem more like normal life stuff.

Ryyder: Do you have any major childhood inspirations?

Yates: Oh, tons! I watched a lot of t.v. as a kid—Godzilla movies, The Twilight Zone and Outer Limits, Sci-Fi Theater, lots of monster movies and bad, old science fiction. I still love that stuff. And Star Wars! Star Wars was big, but I was also really inspired by video games. I grew up in the Golden Age of arcades. The lights and noise. Watch Tron. The arcade scenes at Flynn’s are a lot like some of my best childhood memories.

Ryyder: I see a lot of Pac-Man in your art.

Yates: Yes! Absolutely. The character and the ghosts are so easy to draw, but really iconic. I love Pac-Man. Then when I got to be around ten or eleven, I really got into music. Devo, Blondie, Pink Floyd—anything with synthesizers or weird noises, I loved it. Still do. I’ve also always been really into comics and books. I read a lot, still, but when I was young, I devoured books and comics. Superheroes, horror stories, ghosts, monsters, any of that stuff that I could get my hands on—and my mom was pretty cool about buying me books, even scary stuff. I remember when I was really young, she came into a comic shop and signed a paper saying they could sell me the “mature” books because I was really into things like 3-D Tales of Terror and other big kid books.

Ryyder: How old were you then?

Yates: I don’t know, maybe eleven or twelve, but we lived in the woods at the time, outside of a little town called Castle Rock in Washington State, and it was too far for me to walk to any of my friends’ houses, so all I had to do was read or listen to records or watch t.v. My brothers both liked to play outside—ride motorcycles, make soapbox racers, go on adventures in the woods, but I didn’t like to get dirty, so I’d stay inside and make masks or record little stories and songs with a tape recorder, or I’d read.

Ryyder: So the move into art and writing wasn’t difficult?

Yates: Nah, I’ve always drawn and written stories as long as I can remember.

Ryyder: Okay, so let’s move up to the present. Your current project is The Primitive Entertainment Workshop. How did that get started, and why did you chose a blog format for the project?

Yates: Because it’s easy. I’ve been published in more straight media, journals and newspapers, and I’ve had artwork in galleries and shows, and frankly, I just don’t work well with others. I’d think a painting was done and perfect, but the gallery owner would say I couldn’t hang a piece of cardboard that I cut from a cereal box on the wall next to something in a nice frame. (Laughs) And with publishing, the lag time between writing a piece and it getting into the hands of readers can be months! I’m not that patient. If I write something, I want people to read it right now, while it’s fresh, not in six weeks.

Ryyder: Yes, but self publishing has a stigma.

Yates: It does. It does. But look at all the really well known authors who’ve started with self publishing. Whitman, Pound, not to mention all the indie music and zines that came out of the punk and post-punk scenes. That’s probably the biggest thing for me. I really identify with that punk / D.I.Y. aesthetic, that Dada / conceptual art “fuck the rules” spirit. I don’t want an editor or gallery owner, or anybody, telling me that what I’ve made or what I’ve written isn’t good enough. Good enough for what? To make money? That’s not why I draw or write. I do it because I love to do it, I’ve always done it, and if I’m being honest, because I like the praise. I’m a solid writer, a good writer, and I should be. I have a grad school education and I’ve been writing for almost 40 years. My artwork, and I’d be the first to admit this, isn’t great. It’s cute, sometimes clever, on occasion interesting or evocative, but it’s not very good. (Laughs) But it serves my purposes.

Ryyder: Which are?

Yates: I don’t know—to make people laugh, I guess. Or scare them. To amuse myself. To make stuff. It may not be much, but I still think it’s important to just make stuff. To play. Too many people grow up and forget how to play. I’m pretty proud of myself for not forgetting how to play.

Ryyder: So you don’t have any commercial aspirations?

Yates: Oh god, yes! I do! I would love to make money as a writer or artist. My wife would love for me to make some money, and of course I’d love to own a nice house and a new car, or at the very least to be able to pay my bills, but I’m horribly lazy. Plus, I’ve somehow fooled myself into believing that I’m a great Artist, capital “A.” That this cerebral, raw, bizarre, elitist, conceptual program that I’ve set myself on is somehow very important, and that spending all of this time and energy documenting my weird thoughts and the stories and poems of all my weird friends and family will someday be worth it. Probably after I’m dead, though. (Laughs)

Ryyder: So the blog format?

Yates: Like I said, it’s easy. I can write something, copy and paste, and publish. I can paint a picture, take a digital pic, and upload it. A friend can email me a poem or story, and bam! Up and readable in seconds. And the blog site I use, Word Press, is really easy and has pretty good search features. It’s a good archive, although I’ve posted over 800* things in the last year, so I do worry that some of the material is getting buried under all the slush. How many people will go back through 800 pictures and articles. Probably not very many.

Ryyder: Well Mr. Yates, I’d like to thank you for taking the time to answer a few questions.

Yates: No problem. It’s been fun.

Ryyder: Any last words for the readers?

Yates: Yes! Buy my stuff! Books, shirts, posters, stickers. I really need to start making some money before my wife makes me get a full time job at a supermarket or something! (Laughs)

Ryyder: Okay. Thanks!

—Spork Ryyder

[*At the time of this reprinting, 2 April 2017, The Primitive Entertainment Workshop has 4,792 post up. That's a LOT of slush...---RFY]